Shure Brothers Inc PGADRUMKIT7 7-piece Drum Mic Kit

Product Description

The SHURE BROTHERS INC PGADRUMKIT7 is a seven-piece drum microphone kit designed to provide comprehensive miking coverage for a full drum kit. The set includes one PGA52 kick drum microphone along with additional microphones suited for snare, toms, and overhead positions. This kit is built for live sound reinforcement and studio recording applications where consistent, reliable signal capture from each drum element is required. Audio engineers, sound technicians, and performing musicians install and deploy this kit in live venues and recording environments.

The PGADRUMKIT7 is suited for use with standard drum configurations in both small and mid-size live performance settings as well as rehearsal and recording studio environments. The included PGA52 is a cardioid dynamic microphone commonly placed at the kick drum port for low-frequency reinforcement. The remaining microphones in the kit address the full drum set, making this a ready-to-deploy solution for engineers setting up a stage or studio drum rig. No specific compatible model numbers or system families were stated in the product data.

Key Features

• Seven-piece kit provides microphones for kick drum, snare, toms, and overhead coverage
• Includes one PGA52 cardioid dynamic kick drum microphone
• Surface mount wired microphone configuration for reliable wired signal path
• Sold as a single unit kit for straightforward inventory and deployment
• Designed for live sound reinforcement and drum recording applications

Compatibility

Designed as a wired surface mount drum microphone kit suitable for standard acoustic drum set configurations in live and studio environments.

Installation Notes

Installation is typically performed by a live sound engineer or audio technician. Each microphone should be positioned and secured on appropriate mic stands or drum rim mounts before connecting to the mixing console or audio interface. Ensure all cable runs are clear of high-voltage power lines to avoid interference, following general audio system best practices. Power down the mixing console or interface channels before making XLR connections to avoid signal transients.